Music

Off the Beaten Track with Mary Leary: Ape Machine; Lord Howler

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http://userserve-ak.last.fm/serve/_/48179147/Ape+Machine+ape_02.jpg

Once this music starts, I’m a puppet on a string: Spasmodically jerking my head and doing the happy metal grimace; unable to resist rising from my seat to shake it to the hard rock Ape Machine’s making in Portland, Oregon… blowing my speakers out, this minute, courtesy of the band’s first full-length: War to Head.

It’s not like the subject matter or lyrics (“Hold Your Tongue,” for instance, is about governmental lies and the fucked-upedness of war) are particularly new. If you took Ape Machine apart and examined its bits, it wouldn’t sound new either, at least on paper. But the joyful noize currently annoying my neighbors returns to all things eternally and appropriately hard rock. Apparently, we’ve moved far enough away from the original sources for a new generation of players to reference Deep Purple and Black Sabbath without embarrassment. Suddenly, after a couple decades of being that stuff your uncle still blasted in his garage, and those “ignorami” in the boonies had never stopped playing, the hard rock that morphed into metal is, again, cool.

Well, I’ve never given a shake for trends.  Nor would I be a puppet for this stuff if it weren’t k-i-c-k ASS. Caleb Heinze emotes with clarion fluidity, the keyboards, when used (especially on “What’s Up Stanley,” which seems to be a Purple homage) channel Jon Lord’s, and Ian Watts peels out exquisitely simple lines. None of which would matter to me if the songs weren’t there to justify all that energy.

If this review’s got you hankering for some LOCAL stoner/hard/metallic rock, Lord Howler has purportedly been slamming out a new album. Meanwhile, here’s one from LH at Bar Eleven:

Ape Machine: www.apemachine.com
Lord Howler: www.facebook.com/lord howler
Eleven Bar: www.elevensandiego.com
Me: http://www.facebook.com/profile.php?id=619521791

Mary Leary is a poet and spoken word/music/performance artist who has been obsessed with sound for as long as she can remember. She edited and published one of the first New Wave 'zines, (the) Infiltrator (Washington, D.C.), and helped introduce New Wave and other alternatives through her radio shows at WGTB FM (Georgetown U.). Her poetry has been featured in numerous publications and at many venues, including KPBS FM and La Mama La Galleria, and in anthologies including: Hurricane Blues: Poems About Katrina and Rita, Diamonds Are a Girl's Best Friend: Women Writers on Baseball, The Unbearables, A Joyous Season, and The 2008 San Diego Poetry Annual. Her poetry is featured online at Creekwalker.com, The Melic Review, Gypsy 3, and ALittlePoetry.com. You can see her 2008 third-prize winning poem at Bookhabit.com. A poetry chapbook, Pretty Scary Jack O'Lanterns, is available through http://www.breadandlightning.net. Her short-short story collection, Cher Wolfe and Other Stories, is available on Amazon. Upcoming work includes a poem in A Walk In The Clouds, an anthology about the Obama election, and in The 2009 San Diego Poetry Annual. Her music journalism is featured at Daggerzine.com and at the San Diego Reader site, among others.

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